The Project
Vision
Enhancement of the musical heritage of Southern Italy
Digitalization and Artificial Intelligence in Music Education
Internationalization of Experiences and Languages
Partners
Conservatorio Scarlatti of Palermo
Conservatorio Vincenzo Bellini of Catania
Conservatorio Arcangelo Corelli of Messina
Conservatorio Antonio Scontrino of Trapani
Conservatorio Arturo Toscanini of Ribera
Conservatorio “Vincenzo Bellini” of Caltanissetta
Conservatorio Luigi Canepa di Sassari
Conservatorio Giovanni Pierluigi da Palestrina of Cagliari
Department of Engineering – UNIPA
DIMES – University of Calabria
AEC – The European Association of Conservatoires
AEC – International Connections
Training
The People
AFAM4Sicily
AFAM4Sicily: United for Niscemi
Events
Press Release
Gallery
Video
Inauguration of the Chamber of Music in Catania
Inauguration of the Chamber of Music in Catania
AFAM4Sicily: “Renaissance with Music and Art for Niscemi”
AFAM4Sicily – Angelo Di Leonforte, member of the CA of the A. Toscanini Conservatory of Ribera
AFAM4Sicily – Andrea Cristiano Maria Milazzo, President of the Bellini Conservatory of Caltanissetta
AFAM4Sicilia – Ninni (Antonino) Averna, Director of the Arcangelo Corelli Conservatory of Messina
AFAM4Sicily – Roberto Cuccia, Project RUP Support Manager
AFAM4Sicily – Mauro Visconti, Director of the Alessandro Scarlatti Conservatory of Palermo
AFAM4Sicily – Giovanni Angileri, President of the Alessandro Scarlatti Conservatory of Palermo
AFAM4Sicily – Massimiliano Conti, Mayor of Niscemi
AFAM4Sicily for Niscemi
Music4D in Geneva: Morricone and Bacalov at the United Nations
Humanoid robots and the emotional perception of music
Interactive humanoids and the magic of Italian cinema
The importance of partnership for the future of music education
Digitalization and virtual reality in music education
Two roles and only one future: acting with a robot
A choral work for a global project
Angelica and the blind robot
Pepper and the Opera: A Humanoid in the Mind of the Furious
A shared challenge: the common language of the work
Orlando on stage with Pepper
Women of valor, voices of change
The popular voice of Sardinia on stage
The Robot’s Dream: Scenery in the Metaverse
A palette of voices and machines
Furioso: the project that unites the Conservatives in a future work
Duel and Multilingualism: A Renaissance and Atonal Ariosto
Talent and AI: The siege comes together
Clavius, an augmented instrument for the work of the future
“Libera me”: Sardinian singing and electronic music in the enchanted castle
A robot on stage: the challenge of a new dialogue
Singing with a robot: the future of opera is here
Alcina and singing next to a robot
When AI learns dramaturgy
Music Beyond Borders: Furioso Goes Digital
Orlando’s Madness: Between Mediterranean Melody and Emotional Intelligence
Technology on stage, not an enemy but an artistic tool.
Opera meets the future
Between strings and tension: the battle of sounds that announces the future
Palermo launches the future of sound – Mauro Visconti
“This is how Music4D was born” – an interview with the Director of the Palermo Conservatory
Music4D, the future of music begins now
Music4D: The South Begins Again with Creativity – Aurora Cogliandro
Music4D unites the Islands – Gian Carlo Grandi
From Ribera to Europe, a Global Conservatory’s Journey – Mariangela Longo
Southern Italy Connects to the Future – Carlo Magni
Where the South Meets the Future – Andrea Milazzo
AI, Robots, and Conservationists: The New Frontier of Art – Valeria Seidita
Technology on stage, art transforms – Fabio Crescente
MUSIC 4D – SITEM 2025
“We aim to spread musical culture around the world” – an interview with Maestro Giuseppe Vasapolli
The Great Orchestra of the South Speaks to the World – Michelangelo Galeati