Artificial Intelligence and Digital Music

A New Advanced Training Program for the MUSIC4D Project

Preliminary training for the first two lessons has been completed. The final agenda for the remaining teaching units will be published in March.

Introduction

Starting on February 19, the MUSIC4D project launches an advanced training program dedicated to exploring the complex and compelling intersections between Artificial Intelligence, robotics, and musical creation. The course delivery, scheduled over the coming weeks in both synchronous and asynchronous formats, is designed to disseminate cutting-edge knowledge in generative AI and robotics applied to the field of music.

The training modules represent a core objective of the MUSIC4D project and a strategic commitment to qualifying its activities in alignment with the project’s stated goals.

Structured into five units for a total of 39 hours, the program has been designed to provide students, faculty members, and technical-administrative staff with the theoretical and practical competencies required to integrate emerging technologies into their creative and professional workflows.

The course is led by a team of experts in electronic music, robotics, and artificial intelligence: Professors Francesco Pupo, Riccardo Sarti, Sandro Mungianu, Caterina Perri, and Rashmi Chawla. Their guidance ensures an approach that combines academic rigor with hands-on application.


Structure and Objectives

The course is organized into five instructional units, each focusing on a specific area of expertise:

  • Unit 1 – Foundations of AI, Intelligent Agents, and Robotics
    The first week establishes the conceptual framework, examining intelligent agent architectures, reinforcement learning paradigms, and human–robot interaction (HRI) dynamics.
  • Unit 2 – Generative Models and Prompt Engineering
    The second unit focuses on the practice of prompt engineering, enabling participants to effectively guide content generation (text, images, and code) through Large Language Models (LLMs) and diffusion-based models.
  • Unit 3 – Audio Signal Fundamentals and Analysis
    This asynchronous module delves into sound processing, addressing sampling theory, spectral analysis (FFT), filtering techniques, audio effects, and principal sound synthesis methodologies.
  • Unit 4 – Digital Music and Artificial Intelligence
    The fourth unit explores practical applications, ranging from AI-assisted composition and virtual orchestration to audio–video synchronization and the use of innovative tools such as “TuttiBot” for automated assessment.
  • Unit 5 – Final Integration (Project Work)
    The program culminates in an intensive laboratory session in which participants design and develop a functional prototype of an “intelligent musical system,” supported by direct mentoring.


Methodology and Delivery Platform

The instructional model combines synchronous lectures with asynchronous MOOC modules, enabling flexible and adaptive learning pathways. The management and delivery of the entire program are hosted on the University of Calabria’s MOOC platform — a strategic choice that reinforces the university’s role as a key technological partner within the project.

UNICAL’s MOOC (Massive Open Online Courses) platform is a robust and scalable digital infrastructure specifically designed for large-scale course delivery. It provides all functionalities required to support a hybrid instructional model, including on-demand video lectures, discussion forums, downloadable teaching materials, and integrated assessment tools.

This solution ensures maximum flexibility and accessibility for all participants.

The course is structured as a comprehensive program designed to provide advanced technical competencies, foster critical reflection on the role of AI in creative processes, and equip music professionals with a new and powerful expressive framework.

Course Program: Artificial Intelligence, Robotics and Music

# Lesson Title Video (h) Study (h) Total Lecturer Date
1 Introduction to Generative AI 1 2 3 Francesco Pupo 19-feb
2 Intelligent Agent Architectures and Multi-Agent Interaction 1 2 3 Francesco Pupo 20-feb
3 Generative Architectures and Transformers 1 2 3 Francesco Pupo 24-mar
4 Reinforcement Learning 1 2 3 Francesco Pupo 27-mar
5 Introduction to Signals and the Electroacoustic Chain 1 2 3 Riccardo Sarti 30-mar
6 Sampling and Quantization 1 2 3 Riccardo Sarti 31-mar
7 Frequency Analysis and Domain Transforms 1 2 3 Bimbi 01-apr
8 STFT, Windowing, and Audio Coding 1 2 3 Bimbi 13-apr
9 Digital Filters 1 2 3 Bimbi 14-apr
10 First and Second-Order Filters 1 2 3 Sarti 15-apr
11 Advanced Filters 1 2 3 Sarti 16-apr
12 Audio Effects and Dynamics Processors 1 2 3 Lacamera 17-apr
13 Spectral and Modulation Synthesis 1 2 3 Bimbi 20-apr
14 Physical Modeling Synthesis and the Karplus–Strong Algorithm 1 2 3 Bimbi 21-apr
15 Prompt Engineering: Foundations and Advanced Techniques 1 2 3 Perri – Pupo 28-apr
16 Computer-Aided Composition and Musical AI 1 2 3 Mungianu 29-apr
17 AI as a Support for the Compositional Process 1 2 3 Mungianu 30-apr
18 Virtual Orchestration 1 2 3 Mungianu 04-mag
19 Frame-by-Frame Method for Music and Images 1 2 3 Mungianu 05-mag
20 Audio-Video Workflow in Professional DAWs 1 2 3 Mungianu 06-mag
21 “TuttiBot” – the grading tool 1 1 2 Rashmi Chawla 07-mag
22 Human-Robot Interaction (HRI) 1 1 2 Rashmi Chawla 08-mag
23 System Concept and Design 2 0 2 Pupo – Sarti – Mungianu 18-mag
24 AI Core Development and Audio Integration 3 0 3 Pupo – Sarti – Mungianu 19-mag
25 Refinement and Final Rendering 1 0 1 Pupo – Sarti – Mungianu 20-mag
26 Presentation and Review 1 0 1 Pupo – Sarti – Mungianu 21-mag
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